Scintillating Stars But Not Planets

Aristotle (384 BC – 322 BC) may have been the first person to write that stars twinkle but planets don’t, though our understanding of twinkling has evolved since he explained that “The planets are near, so that the visual ray reaches them in its full vigour, but when it comes to the fixed stars it is quivering because of the distance and its excessive extension.”

John Stedman (1744-1797), a controversial and complicated figure to be sure, writes the following dialog between teacher and student in The Study of Astronomy, Adapted to the capacities of youth (1796):

PUPIL.  How is the twinkling of the stars in a clear night accounted for?

TUTOR.   It arises from the continual agitation of the air or atmosphere through which we view them; the particles of air being always in motion, will cause a twinkling in any distant luminous body, which shines with a strong light.

PUPIL.  Then, I suppose, the planets not being luminous, is the reason why they do not twinkle.

TUTOR.   Most certainly.  The feeble light with which they shine is not sufficient to cause such an appearance.

Still not quite right, but closer to our current understanding. Our modern term for “twinkling” is atmospheric scintillation, which is changes in a star’s brightness caused by curved wavefronts focusing or defocusing starlight.

Scintillation is caused by refractive index variations (due to differences in pressure, temperature, and humidity) of “pockets” of air passing in front of the light path between star and observer at a typical height of about 5 miles. These pockets are typically about 3 inches across, so from the naked eye observer’s standpoint, they subtend an angle of about 2 arcseconds.

The largest angular diameters of stars are on the order of 50 milliarcseconds1 (R Doradus, Betelgeuse, and Mira), and only seventeen stars have an an angular diameter larger than 1 milliarcsecond. So, it is easy to see how cells of air on the order of 2 arcseconds across moving across the light path could cause the stars to flicker and flash as seen with the unaided eye.

The five planets that are easily visible to the unaided eye (Mercury, Venus, Mars, Jupiter, and Saturn) have angular diameters that range from 3.5 arcseconds (Mars, at its most distant) up to 66 arcseconds (Venus, at its closest). Since the disk of a planet subtends multiple air cells, the different refractive indexes tend to cancel each other out, and the planet shines with a steady light.

From my own experience watching meteors many nights with my friend Paul Martsching, our reclining lawn chairs just a few feet apart, I have sometimes seen a principal star briefly brighten by two magnitudes or more, with Paul seeing no change in the star’s brightness, and vice versa.


Stedman’s dialogue next turns to the distances to the nearest stars.

PUPIL.  Have the stars then light in themselves?

TUTOR.   They undoubtedly shine with their own native light, or we should not see even the nearest of them: the distance being so immensely great, that if a cannon-ball were to travel from it to the sun, with the same velocity with which it left the cannon, it would be more than 1 million, 868 thousand years, before it reached it.

He adds a footnote:

The distance of Syrius is 18,717,442,690,526 miles.  A cannon-ball going at the rate of 1143 miles an hour, would only reach the sun in about 1,868,307 years, 88 days.

Where Stedman comes up with the velocity of a cannon-ball is unclear, but the Earth’s rotational speed at the equator is 1,040 mph, close to Stedman’s cannon-ball velocity of 1,143 mph. He states the distance to the brightest star Sirius—probably then thought to be the nearest star—is 18,717,442,690,526 miles or 3.18 light years, a bit short of the actual value of 8.60 light years. The first measurements of stellar parallax lie 42 years in the future when Stedman’s book was published.

1 1 milliarcsecond (1 mas) = 0.001 arcsecond

References
Aristotle, De Caelo, Book 2, chap.8, par. 290a, 18
Crumey, A., 2014, MNRAS, 442, 2600
Dravins, D., Lindegren, L., Mezey, E., Young, A. T., 1997a, PASP, 109, 173
Ellison, M. A., & Seddon, H., 1952, MNRAS, 112, 73
Stedman, J., 1796, The Study of Astronomy, Adapted to the capacities of youth

Rhapsody in Blue

American composer George Gershwin left us much too soon at the young age of 38. He died of a brain tumor in 1937, and eight years after his death a somewhat fictionalized movie about his life was released in 1945, Rhapsody in Blue.

One remarkable aspect of this movie is a number of people who knew Gershwin were in the movie as themselves: Oscar Levant, Paul Whiteman (who premiered Rhapsody in Blue), Hazel Scott, Anne Brown, Al Jolson, George White, and Elsa Maxwell. It is a love letter to this remarkable composer and musician.

Robert Alda (father of Alan Alda) turns in a great performance as George Gershwin, as does Joan Leslie as his fictionalized love interest Julie Adams.

Robert Alda as George Gershwin and Joan Leslie as Julie Adams in Rhapsody in Blue (1945)

Strong performances were also turned in by Morris Carnovsky as George Gershwin’s father, Albert Bassermann as his fictionalized teacher Professor Franck (perhaps patterned in part after both Charles Hambitzer and Rubin Goldmark), and Herbert Rudley as Ira Gershwin.

And then there’s the wonderful music of George Gershwin throughout the film, including much of An American in Paris, a personal favorite of mine. I’ll bet you’ll hear familiar songs that you didn’t even know were written by Gershwin!

I loved this movie. Unfortunately, it is not available through either Netflix or Amazon streaming, but you can purchase a high-quality DVD for $12.99 from Warner Brothers.

https://www.wbshop.com/products/rhapsody-in-blue

If you don’t know much about George Gershwin, this movie is a good starting point. After you watch it, I guarantee you’ll want to learn more about the real George Gershwin and his music. Enjoy!

Les Misérables

There have been many film adaptations of Victor Hugo’s timeless novel, Les Misérables, but after watching the 1935 film starring Fredric March and Charles Laughton last night, I am in no rush to see any of the others. It is, quite simply, perfect.

This movie says more in one hour and forty-eight minutes than most other movies (especially more recent ones) say in two or three hours. A riveting tale of unjust laws, poverty, inhumanity, cruelty, compassion, love, mercy, doubt, and morality, this is one of the most moving and inspiring movies I have ever seen. And just as relevant for us to today as it was in 1935 and when Victor Hugo wrote the book, first published in 1862.

We need movies like this to remind us (and in such complex and jaded times as these we do need constant reminding) that idealism can help each of us navigate through life, and—no matter what burdens we bear—to make the world a better place. Not a single minute in this movie is wasted, so artfully is each and every scene of the movie constructed. If you tire of (and are horrified by) the seemingly endless stream of dystopian prognostications in recent years, this movie is the perfect antidote. There is an alternative to a ruined world, and that change begins with you and me right now.

https://dvd.netflix.com/Movie/Les-Miserables/70073445

https://www.amazon.com/Miserables-Richard-Boleslawski/dp/B076LJ6Y7V/

All of the film adaptations of Les Misérables, including this one, have a number of departures from the original novel by Victor Hugo. Behind every great movie there is usually an even greater book, and I have been remiss in never having read Hugo’s classic. That deficiency will be rectified soon.

Desiderata

The word desideratum has been a part of the English language since at least 1651, according to the Oxford English Dictionary, which provides this definition:

Something for which a desire or longing is felt; something wanting and required or desired.

This word comes from the Latin dēsīderātum “thing desired”, and its plural is desiderata.

The French astronomer Auguste Charlois (1864-1910) discovered the asteroid 344 Desiderata on 15 Nov 1892 at the Nice Observatory, in southeastern France near the border with Italy. Like most of his 99 asteroid discoveries between 1887 and 1904, it is named to honor a woman. In this case, that would be Désirée Clary (1777-1860), French woman who became Queen Desideria of Sweden.

On 25 Feb 2019, I recorded 14.1-magnitude 344 Desiderata passing in front of the 14.6-magnitude star UCAC4 639-020401 in the constellation Auriga. Right before the event, star and asteroid formed a 13.6-magnitude blended image, and when the asteroid covered up the star, the brightness dipped 0.5 magnitude to the brightness of the asteroid alone. This great cover-up event lasted 16.8 seconds. Here’s a light curve of the event as a function of time.

Light curve of asteroid 344 Desiderata passing in front of UCAC4 639-020401 in Auriga

That dip to the right (after) the asteroid covered up the star suggests that a smaller satellite of the asteroid might have also passed in front of the star. Alas, it is only noise. We can tell this by looking at the light curve of a nearby comparison star at the same time.

Wind gust caused a dip in brightness of both stars at the same time after the main occultation event
A view of just the comparison star clearly showing the dip in brightness from a wind gust

Here is the smoothed and fitted light curve of the asteroid occultation event.

Asteroid occultation of the star UCAC4 639-020401 by the asteroid 344 Desiderata on 25 Feb 2019


Max Ehrmann (1872-1945) wrote a prose poem Desiderata (Latin: “things desired”) in 1927 that has since become well known, and for good reason.

Desiderata

Go placidly amid the noise and the haste, and remember what peace there may be in silence.  As far as possible, without surrender, be on good terms with all persons.

Speak your truth quietly and clearly; and listen to others, even to the dull and the ignorant; they too have their story.

Avoid loud and aggressive persons; they are vexatious to the spirit. If you compare yourself with others, you may become vain or bitter, for always there will be greater and lesser persons than yourself.

Enjoy your achievements as well as your plans. Keep interested in your own career, however humble; it is a real possession in the changing fortunes of time.

Exercise caution in your business affairs, for the world is full of trickery. But let this not blind you to what virtue there is; many persons strive for high ideals, and everywhere life is full of heroism.

Be yourself. Especially do not feign affection. Neither be cynical about love; for in the face of all aridity and disenchantment, it is as perennial as the grass.

Take kindly the counsel of the years, gracefully surrendering the things of youth.

Nurture strength of spirit to shield you in sudden misfortune. But do not distress yourself with dark imaginings. Many fears are born of fatigue and loneliness.

Beyond a wholesome discipline, be gentle with yourself. You are a child of the universe no less than the trees and the stars; you have a right to be here.

And whether or not it is clear to you, no doubt the universe is unfolding as it should. Therefore be at peace with God, whatever you conceive Him to be. And whatever your labors and aspirations, in the noisy confusion of life, keep peace in your soul. With all its sham, drudgery and broken dreams, it is still a beautiful world. Be cheerful. Strive to be happy.

Thank the Sumerians

Over five thousand years ago, the Sumerians in the area now known as southern Iraq appear to have been the first to develop a penchant for the numbers 12, 24, 60 and 360.

It is easy to see why. 12 is the first number that is evenly divisible by six smaller numbers:

12 = 1×12, 2×6, 3×4 .

24 is the first number that is evenly divisible by eight smaller numbers:

24 = 1×24, 2×12, 3×8, 4×6 .

60 is the first number than is evenly divisible by twelve smaller numbers:

60 = 1×60, 2×30, 3×20, 4×15, 5×12, 6×10 .

And 360 is the first number that is evenly divisible by twenty-four smaller numbers:

360 = 1×360, 2×180, 3×120, 4×90, 5×72, 6×60, 8×45, 9×40, 10×36, 12×30, 15×24, 18×20 .

And 360 in a happy coincidence is just 1.4% short of the number of days in a year.

We have 12 hours in the morning, 12 hours in the evening.

We have 24 hours in a day.

We have 60 seconds in a minute, and 60 minutes in an hour.

We have 60 arcseconds in an arcminute, 60 arcminutes in a degree, and 360 degrees in a circle.


The current equatorial coordinates for the star Vega are

α2019.1 = 18h 37m 33s
δ2019.1 = +38° 47′ 58″

Due to precession, the right ascension (α) of Vega is currently increasing by 1s (one second of time) every 37 days, and its declination (δ) is currently decreasing by 1″ (one arcsecond) every 5 days.

With right ascension, the 360° in a circle is divided into 24 hours, therefore 1h is equal to (360°/24h) = 15°. Since there are 60 minutes in an hour and 60 seconds in a minute, and 60 arcminutes in a degree and 60 arcseconds in an arcminute, it follows that 1m = 15′ and 1s = 15″.

Increasingly, you will see right ascension and declination given in decimal, rather than sexagesimal, units. For Vega, currently, this would be

α2019.1 = 18.62583h
δ2019.1 = +38.7994°

Or, both in degrees

α2019.1 = 279.3875°
δ2019.1 = +38.7994°

Or even radians

α2019.1 = 4.876232 rad
δ2019.1 = 0.677178 rad

Even though the latter three forms lend themselves well to computation, I still prefer the old sexagesimal form for “display” purposes, and when entering coordinates for “go to” at the telescope.

There is something aesthetically appealing about three sets of two-digit numbers, and, I think, this form is more easily remembered from one moment to the next.

For the same reason, we still use the sexagesimal form for timekeeping. For example, as I write this the current time is 12:25:14 a.m. which is a more attractive (and memorable) way to write the time than saying it is 12.4206 a.m. (unless you are doing computations).

That’s quite an achievement, developing something that is still in common use 5,000 years later.

Thank the Sumerians!

Historical Astronomy Magazines Online and DVD

Excellent astronomy magazines have come and gone throughout the past several hundred years, and the time has come to start digitizing microfilm, microfiche, or printed copies of all these magazines and journals, and make them available at an affordable price to individuals and institutions on DVD and via the Internet.  First on my list? Popular Astronomy, which was published from 1893 until 1951 at Carleton College in Northfield, Minnesota, a worthy predecessor to Sky & Telescope.

Some of the volumes of Popular Astronomy are available online, thanks to the HathiTrust Digital Library:

Volume 1, 1893
Volume 2, 1894
Volume 3, 1895
Volume 4, 1896
Volume 5, 1897
Volume 6, 1898
Volume 7, 1899
Volume 8, 1900
Volume 9, 1901
Volume 10, 1902
Volume 11, 1903
Volume 12, 1904
Volume 13, 1905
Volume 14, 1906
Volume 15, 1907
Volume 16, 1908
Volume 17, 1909
Volume 18, 1910
Volume 19, 1911
Volume 20, 1912
Volume 21, 1913
Volume 22, 1914
Volume 23, 1915
Volume 24, 1916
Volume 25, 1917
Volume 26, 1918
Volume 27, 1919
Volume 28, 1920
Volume 29, 1921
Volume 30, 1922
Volume 31, 1923
Volume 32, 1924
Volume 33, 1925
Volume 34, 1926
Volume 35, 1927
Volume 36, 1928
Volume 37, 1929
Volume 38, 1930
Volume 39, 1931
Volume 40, 1932
Volume 41, 1933
Volume 42, 1934
Volume 43, 1935
Volume 44, 1936
Volume 45, 1937
Volume 46, 1938
Volume 47, 1939
Volume 48, 1940
Volume 49, 1941
Volume 50, 1942
Volume 51, 1943
Volume 52, 1944
Volume 53, 1945
Volume 54, 1946
Volume 55, 1947
Volume 56, 1948
Volume 57, 1949
Volume 58, 1950
Volume 59, 1951

Project Gutenberg

Over 56,000 historical books and other documents, most published prior to 1923, are available online for downloading or browsing at Project Gutenberg (http://www.gutenberg.org), with more being added all the time. A quick search of the term “astronomy” yields the following:

The Discovery of a World in the Moone: Or, A Discovrse Tending To Prove That ‘Tis Probable There May Be Another Habitable World In That Planet (1638)
John Wilkins (1614-1672)

The Study of Astronomy, Adapted to the capacities of youth (1796)
John Gabriel Stedman (1744-1797)

The Martyrs of Science, or, The lives of Galileo, Tycho Brahe, and Kepler (1841)
David Brewster (1781-1868)

Lectures on Astronomy (1854)
The Wit and Humor of America, Volume V. (1911)
George Horatio Derby (1823-1861), writing under the name of John Phoenix
Marshall Pinckney Wilder (1859-1915), editor

Letters on Astronomy: In which the Elements of the Science are Familiarly Explained in Connection with Biographical Sketches of the Most Eminent Astronomers (1855)
Denison Olmsted (1791-1859)

The Uses of Astronomy: An Oration Delivered at Albany on the 28th of July, 1856 (1856)
Edward Everett (1794-1865)

Cosmos: A Sketch of the Physical Description of the Universe, Vol. 1 (1858)
Alexander von Humboldt (1769-1859)

Curiosities of Science, Past and Present: A Book for Old and Young (1858)
John Timbs (1801-1875)

Astronomy for Young Australians (1866)
James Bonwick (1817-1906)

Meteoric astronomy: A treatise on shooting-stars, fire-balls, and aerolites (1867)
Daniel Kirkwood (1814-1895)

Popular Books on Natural Science: For Practical Use in Every Household, for Readers of All Classes (1869)
Aaron David Bernstein (1812-1884)

Half-hours with the Telescope: Being a Popular Guide to the Use of the Telescope as a Means of Amusement and Instruction (1873)
Richard Anthony Proctor (1837-1888)

Astronomical Myths: Based on Flammarions’s “History of the Heavens” (1877)
John Frederick Blake (1839-1906)
Camille Flammarion (1842-1925)

New and Original Theories of the Great Physical Forces (1878)
Henry Raymond Rogers (1822-1901)

Recreations in Astronomy: With Directions for Practical Experiments and Telescopic Work (1879)
Henry White Warren (1831-1912)

The Sidereal Messenger of Galileo Galilei and a Part of the Preface to Kepler’s Dioptrics Containing the Original Account of Galileo’s Astronomical Discoveries (1880)
Galileo Galilei (1564-1642)
Johannes Kepler (1571-1630)
Edward Stafford Carlos ((1842–1927), translator

Sir William Herschel: His Life and Works (1880)
Edward Singleton Holden (1846-1914)

Popular Scientific Recreations in Natural Philosophy, Astronomy, Geology, Chemistry, etc., etc., etc. (1881)
Gaston Tissandier (1843-1899)

Publications of the Astronomical Society of the Pacific, Volume 1 (1889)
Astronomical Society of the Pacific (1889-)

A Textbook of General Astronomy for Colleges and Scientific Schools (1889)
Charles Augustus Young (1834-1908)

Time and Tide: A Romance of the Moon (1889)
Robert Stawell Ball (1840-1913)

Astronomy with an Opera-glass: A Popular Introduction to the Study of the Starry Heavens with the Simplest of Optical Instruments (1890)
Garrett Putman Serviss (1851-1929)

Pioneers of Science (1893)
Sir Oliver Joseph Lodge (1851-1940)

Great Astronomers (1895)
Robert Stawell Ball (1840-1913)

The Astronomy of Milton’s ‘Paradise Lost’ (1896)
Thomas Nathaniel Orchard, M.D.

Myths and Marvels of Astronomy (1896)
Richard Anthony Proctor (1837-1888)

The Story of Eclipses (1899)
George Frederick Chambers (1841-1915)

The Tides and Kindred Phenomena in the Solar System: The Substance of Lectures Delivered in 1897 at the Lowell Institute, Boston, Massachusetts (1899)
Sir George Howard Darwin (1845-1912)

The Royal Observatory, Greenwich: A Glance at Its History and Work (1900)
Edward Walter Maunder (1851-1928)

The Story of the Heavens (1900)
Robert Stawell Ball (1840-1913)

Other Worlds: Their Nature, Possibilities and Habitability in the Light of the Latest Discoveries (1901)
Garrett Putman Serviss (1851-1929)

Pleasures of the telescope: An Illustrated Guide for Amateur Astronomers and a Popular Description of the Chief Wonders of the Heavens for General Readers (1901)
Garrett Putman Serviss (1851-1929)

A Text-Book of Astronomy (1903)
George Cary Comstock (1855-1934)

Astronomical Discovery (1904)
Herbert Hall Turner (1861-1930)

A New Astronomy (1906)
David Peck Todd (1855-1939)

New Theories in Astronomy (1906)
William Stirling (1822-1900)

Side-Lights on Astronomy and Kindred Fields of Popular Science (1906)
Simon Newcomb (1835-1909)

The Children’s Book of Stars (1907)
Geraldine Edith Mitton (1868-1955)

Mathematical Geography (1907)
Willis Ernest Johnson (1869-1951)

Astronomical Instruments and Accessories (1908)
William Gaertner and Company (1896-)
now Gaertner Scientific Corporation

The Astronomy of the Bible: An Elementary Commentary on the Astronomical References of Holy Scripture (1908)
Edward Walter Maunder (1851-1928)

A Popular History of Astronomy During the Nineteenth Century, Fourth Edition (1908)
Agnes Mary Clerke (1842-1907)

Astronomical Curiosities: Facts and Fallacies (1909)
John Ellard Gore (1845-1910)

The Future of Astronomy (1909)
Edward Charles Pickering (1846-1919)

History of Astronomy (1909)
George Forbes (1849-1936)

Astronomy for Amateurs (1910)
Camille Flammarion (1842-1925)

Astronomy of To-day: A Popular Introduction in Non-Technical Language (1910)
Cecil Goodrich Julius Dolmage (1870-1908)

The World’s Greatest Books — Volume 15 — Science (1910)
Arthur Mee (1875-1943), editor
Sir John Alexander Hammerton (1871-1949), editor

The Science of the Stars (1912)
Edward Walter Maunder (1851-1928)

Are the Planets Inhabited? (1913)
Edward Walter Maunder (1851-1928)

Woman in Science: With an Introductory Chapter on Woman’s Long Struggle for Things of the Mind (1913)
John Augustine Zahm (1851-1921), writing under the name H. J. Mozans

A Field Book of the Stars (1914)
William Tyler Olcott (1873-1936)

An Introduction to Astronomy (1916)
Forest Ray Moulton (1872-1952)

Scientific Papers by Sir George Howard Darwin. Volume V. Supplementary Volume (1916)
Sir George Howard Darwin (1845-1912)
Ernest William Brown (1866-1938), contributor
Sir Francis Darwin (1848-1925), contributor

The gradual acceptance of the Copernican theory of the universe (1917)
Dorothy Stimson (1890-1988)

Astronomical Lore in Chaucer (1919)
Florence Marie Grimm

Lectures on Stellar Statistics (1921)
Carl Vilhelm Ludwig Charlier (1862-1934)

The Star People (1921)
Gaylord Johnson

Terrestrial and Celestial Globes Volume 1: Their History and Construction Including a Consideration of their Value as Aids in the Study of Geography and Astronomy (1921)
Edward Luther Stevenson (1858-1944)

Terrestrial and Celestial Globes Volume 2: Their History and Construction Including a Consideration of their Value as Aids in the Study of Geography and Astronomy (1921)
Edward Luther Stevenson (1858-1944)

Astronomy for Young Folks (1922)
Isabel Martin Lewis (1881-1966)

Astronomy: The Science of the Heavenly Bodies (1922)
David Peck Todd (1855-1939)

The New Heavens (1922)
George Ellery Hale (1868-1938)

Watchers of the Sky (1922)
Alfred Noyes (1880-1958)

Biography of Percival Lowell (1935)
Abbott Lawrence Lowell (1856-1943)

Howard Goodall

I first became familiar with British composer, musician, and music presenter extraordinaire Howard Goodall on August 7, 2017, when his documentary Sgt. Pepper’s Musical Revolution aired on Wisconsin Public Television.  As a lifelong Beatlephile who knows a thing or two about the Beatles and their music, I was immensely impressed with the quality and content of this documentary.  I especially liked his detailed analysis (vis-à-vis Alan W. Pollack) of what makes the music of the Beatles so extraordinary, and his obvious enthusiasm for the subject.  After watching this wonderful hour-long (yes, no commercials!) programme, I vowed to do two things:

  1. Purchase an official DVD copy of Sgt. Pepper’s Musical Revolution
  2. Find out more about Howard Goodall and his work

#1  Sad to say, periodic searches have only turned up bootleg copies from questionable sources.  When will the DVD finally be released?

#2  Somehow I missed it when it was originally broadcast on PBS, but I was delighted to find Howard Goodall’s Big Bangs available through Netflix, so I recently ordered it.

First broadcast in the UK in the autumn of 2000, Howard Goodall’s Big Bangs is a series of 50-minute documentaries on five transformative developments in the history of Western music.  They are

  1. Notation
  2. Equal Temperament
  3. Opera
  4. The Piano(forte)
  5. Recorded Sound

I just finished watching this series, and would highly recommend it for anyone interested in music history.

I enthusiastically look forward to other music documentaries by Howard Goodall.  After watching Sgt. Pepper’s Musical Revolution, I believe that he may well be the best person in the world to develop an entire documentary series on the music of The Beatles.  Here’s hoping!

There are those who say that if music has mass appeal it can’t also be music of great significance or depth. What The Beatles proved once and for all is that this idea is hopelessly and absurdly wrong. – Howard Goodall

There are very, very few composers in history whose work changed all the music that followed it: Beethoven was one, Wagner was another. I believe that posterity will add to their select ranks The Beatles. – Howard Goodall

Illumination Levels: Then and Now

The following excerpts are from the 1911 and 1925 editions of A Text-Book of Physics by Louis Bevier Spinney, Professor of Physics and Illuminating Engineering at Iowa State College (now Iowa State University) in Ames, Iowa.

From the 1911 edition…

ILLUMINATION

516. The intensity of illumination of any surface is defined as the ratio of the light received by the surface to the area of the surface upon which the light falls.  A unit of intensity which is oftentimes employed is known as the foot candle, and is defined as the intensity of illumination which would be present upon a screen placed at a distance of one foot from a standard candle.  The meter candle is a unit of intensity which is employed to some extent.

The table below gives a number of values of illumination such as are commonly observed, the intensity of illumination being expressed in foot candles.

Suitable for drafting table    .    .    .    .    .    5 to 10

Suitable for library table   .    .    .    .    .   .    3 to 4

Suitable for reading table   .    .    .    .    .   .  1 to 2

Required for street lighting   .    .    .    .    .  0.05 to 0.60

Moonlight (full moon)    .    .    .    .    .    .   .  0.025 to 0.03

 

And from the 1925 edition…

ILLUMINATION

532.  The eye has a remarkable power of adaptation.  In strong light the pupil contracts and in weak light expands, so that we are able to use our eyes throughout a range of illumination which is really quite astonishing.  However, the continued use of the eyes under conditions of unfavorable illumination causes discomfort, fatigue, and even permanent injury.  Experiment and experience show that eye comfort, efficiency, and health considerations demand for each kind of eye work a certain minimum illumination.  Some of these illumination values taken from tables recently compiled are given below.

FOOT-CANDLES

Streets    .    .    .    .    .    .    .    .    .     .    .    .    .    .    1/20 to 1/4

Living rooms; Halls and passageways    .    .    1 to 2

Auditoriums; Stairways and exits;
Machine shops, rough work    .     .    .    .    .    .  2 to 5

Classrooms; Laboratories; Offices;
Libraries; Machine shops, close work    .    .    5 to 10

Engraving; Fine repairing work; Drafting;
Sewing and weaving, dark goods  .    .    .    .     10 to 20

 

By comparing the 1911 and 1925 data with the illumination levels recommended today by IESNA, we can see that recommended light levels for streetlighting have increased anywhere from 40% to 380% since 1925.  A cynic might say that we need more light than our ancestors did to see well at night.  As you may have noticed, light levels have been steadily creeping upward, everywhere, over the last few decades.

Recommended Illumination Levels for Streetlighting

Year        Minimum    Average    Maximum

1911             0.05                ???               0.60

1925           0.05               0.25               ???

1996          0.07                1.20               ???

Have you ever noticed how well you can see at night when the full moon is lighting the ground?  The full moon provides surprisingly adequate non-glaring and uniform illumination at just 0.03 footcandles!  For inspiration, take a look at the following text from an Ames, Iowa city ordinance, dated July 8, 1895:

“The said grantees shall keep said lamps in good condition and repair, and have the same lighted every night in the year from dark until midnight, and from 5:00 a.m. until daylight, except such moonlight nights or fractions of the same as are not obscured by clouds, and as afford sufficient natural light to light the streets of said city.”

This was originally published as IDA Information Sheet 114 in November 1996, and authored by David Oesper.

Scott of the Antarctic

I highly recommend the 1948 British film, Scott of the Antarctic.  It tells the story of Captain Robert Falcon Scott’s ill-fated attempt to lead the first team of explorers to the South Pole.  Once again, Amazon has bested Netflix in making fine historical movies like this one available.

The film score was written by the esteemed British composer Ralph Vaughan Williams (1872-1958).  This project served as a springboard for his remarkable and otherworldly Symphony No. 7, Sinfonia Antartica, completed in 1952.  It is a favorite of mine.

As I have written here before, it is good to see a film that communicates effectively without the need to resort to graphic violence, foul language, etc.  You can feel the dreadful cold viscerally watching this film.  Near the end of their journey, Scott and his team in March 1912 regularly experienced high temperatures no better than -30°F during the day and low temperatures around -47°F at night.  And then there was the wind.  It would have been horrible.

One question I had while watching the movie and thinking about the real-life expedition: how did they navigate across an endless terrain of snow and ice?  It appears they primarily relied upon a theodolite which was used to measure accurate horizontal and vertical positions of the Sun and Moon.  Knowing the position of the Sun or the Moon at a particular time allowed Scott and his fellow explorers to determine their geographic latitude and longitude by using a book of navigation tables.

Theodolite used by Lt. Edward Evans